In 2010, after returning to Venice, he opened Xframe, his first photography studio on the island of Giudecca.
These contemporary photographs draw inspiration from the classic style of great masters such as Henri Cartier-Bresson, Robert Doisneau, Robert Frank, William Klein, and Ferdinando Scianna, blending tradition with a modern artistic vision.
Sutera’s style reflects both his deep connection to Venice and his passion for capturing spontaneous moments in the streets—the fleeting beauty that everyday life continuously offers. His photographs are more than mere images; they are visual stories that express his love and respect for the city.
By exploring Venice’s canals, alleyways, and squares, Sutera captures its timeless essence, an allure that has fascinated both locals and visitors for centuries.
Each photograph is printed on fine art paper using Inkjet UltraChrome K3 technology, ensuring the highest quality and longevity. Worldwide shipping is available.
To discover more of his work, visit his official website:
federicosutera.com
The second project, Venice for Sale, explores another side of the city: the one surrendered to mass tourism. The approach here is radically different: bright, saturated colors transform Venice into an almost pop and surreal landscape. His photographs depict a city turned upside down, where the contrast between historical authenticity and the superficiality of tourist consumerism is starkly evident.
These images, deliberately detached from traditional Venice, show a place that, while retaining its iconic beauty, appears unrecognizable alienated from its history and culture. The project serves as a visual, almost ironic critique of Venice’s transformation into a commercial product, accentuated by the use of vivid colors and a surreal style.
In summary, Federico Sutera’s work explores two contrasting dimensions of Venice: one, dreamlike and timeless; the other, overwhelmed and transformed by mass tourism. Through different visual languages, he captures the complexity of his city, its eternal charm, and its contemporary contradictions.
His photographs have been published in both Italian and international magazines, including L’Espresso, Io Donna, Style, Der Spiegel, Bauwelt, Geo Wissen, Geo, Le Courier, L’Illustré, and many others.
For more information about his work, visit: www.federicosutera.com.